October 2026 Solicitations
Drawn And Quarterly
5 releases from Drawn And Quarterly shipping in October 2026. Pull the issues, track the trades.
Issues
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Trades
2
Hardcovers
3
Omnibuses
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Showing 5 of 5 releases
Collected Editions
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Cover Artist
Happy Hour
Description
A generational talent’s old cartooning soul returns for a second round Edward Steed continues his winning streak as the most exciting cartoonist in The New Yorker’s pages in the 21st century. Hailed as the last great hope of the single panel gag strip, the sole saving grace of a print media taking its last dying breaths, Steed brings a deftly scrawled lacerating sense of humour that alludes to classic New Yorker cartoonists like Charles Addams, William Steig, and Sol Stenberg as well as modern cringe alt-comedy. With Happy Hour out hot on the heels of his best-selling and critically-lauded debut collection, Forces of Nature , Steed proves he’s no flash in the pan but an enduring comedic talent. Every page in this collection is a hilarious master class on how to tickle a funnybone.
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Cover Artist
I Can't Stop Thinking About Horses And Sex
Description
From the creative mind behind Bojack Horseman and Tuca & Bertie comes a fragmented memoir — poignant, punchy, and sometimes just plain gross! A deliciously candid and juicy exploration of platonic and romantic fixations, heartbreak, and the allure of horses. I Can't Stop Thinking About Horses and Sex marks the long-awaited return of Tuca & Bertie creator and BoJack Horseman producer/production designer Lisa Hanawalt to comics. This is the honest, silly, horny and vulnerable memoir of a horse girl, now in her forties and reflecting back on a lifetime of obsessions. Whether Hanawalt is confronting large life issues like whether or not to have kids, being an anxious lil freak, caring for a sick horse, revisiting childhood trauma, or dealing with a major breakup and the ensuing lustfulness—she delivers a reading experience that’s relatable, affirming, and almost always hilarious. In lush colors and kinetic lines, she charts the strange terrain of life, one bumpy, dusty horseback ride at a time.
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Cover Artist
My Friend Kim Jong Un
Description
Award-winning cartoonist Keum Suk Gendry-Kim contemplates and explores the long shadow North Korea casts over Korean society On an island located an hour from Seoul, North Korea sits visible from cartoonist Keum Suk Gendry-Kim’s home and studio. The specter of the infamous dictatorship and nuclear power looms over daily life. Artillery fire, helicopters, and sirens from a nearby military base paint the acoustic landscape. In her award-winning books Grass and The Waiting , Gendry-Kim documents the pain and heartbreak of Korea’s history. In My Friend Kim Jong-Un , she looks to the present—to the man currently responsible for upholding the national divide created after World War Two. While the rest of the world partakes in the popularity of Korean culture, a certain unease and anxiety hangs in the air in South Korea as its people still grapple with the distrust and anger of one culture split into two distinct societies. Gendry-Kim explores the life of the supreme leader, searching for commonalities to make sense of the daily fear: from his birth to his international education, his hobbies, and his relationships. She weaves her personal accounts and includes interviews with former South Korean president Moon Jae-in, North Korean defectors, researchers, journalists, and even Kim’s former chef. Translated by the award-winning Janet Hong, My Friend… is a cautionary tale on what makes a dictator, at a time when these lessons are more relevant in the West than ever.
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Cover Artist
No Concessions!
Description
Your favorite gang of militant movie lovers are back for an all-new season of hijinks and takeovers from their small town single screen cinema. The Reel Politik guerillas discuss how to be an effective revolutionary while fighting the all-consuming evils of corporate Hollywood. Meditate! Fight your inner urge to binge watch! Engage in a cinema fast to truly appreciate the oeuvre of an auteur! Realism is bourgeois! In an attempt to thwart a Hollywood studio from coopting the story of the Weather Underground, the gang then pursues its own cinematic celebration of their hero Bernardine Dohrn. “There are no good or bad movies, only correct or false ones.” Along the way the gang gets sidetracked to start the MLIB, the Marxist Leninist International Baseball league. With his trademark slapstick zingers, Gelgud lovingly skewers leftist radical politics while simultaneously illustrating how late stage capitalism has made ethical decision making fraught with compromise. At once a celebration of what makes Hollywood and independent local cinema great and a call to arms to protect it.
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Cover Artist
The Jellyfish King
Description
The author of Panther and The City of Belgium returns with another unconventional coming of age story. A child is born and slowly opens his eyes to a cruel world. His mother is dead and his father has retreated into himself. Seeking the approval of his father, the child begins to draw: to create, to document what he sees. This awakens his father from his grief and he begins to educate his child in the ways of the world. Our hero is educated in the arts and sciences and survival skills and is taught to beware of the outside sinister forces at play behind everything. Every pattern is a code, every acquaintance a betrayer waiting to be exposed. Brecht Evens returns with a lucid detailed shining bildungsroman that looks deep into the heart of generational trauma, miseducation, and conspiracy-minded thinking. Page after page of complicated brilliant tableaus mixing symbols modern and ancient unfold revealing an ever complex and sinister world. Evens is a master at mixing humour and horror in what will surely be the year’s most gorgeous and transfixing graphic novel. Translated by François Vigneault and Brecht Evens
