Fantagraphics Books

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The second issue of Mythologies & Apocrypha continues Tim Lane's exploration into the mythology of celebrity in America with "Steve McQueen & Frank Sinatra in America," focusing on the friendship between Frank Sinatra and Steve McQueen, and their corresponding but differing popular appeal. Lane also depicts the early life of McQueen and his life with his neglectful and alcoholic mother, presented in the style of 1930s childrens cartoons and comics, as seen through the eyes of a middle aged McQueen recalling his childhood. Bonus! A two-sided, tipped in poster!

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The second volume in Fantagraphics' series of lavish, over-sized volumes collecting the best work of single artists for the pre-superhero 1950s Marvel Comics, spotlighting industry stalwart Al Williamson (EC Comics, Star Wars, Flash Gordon). After becoming a professional comics artist in 1948 at the age of 17, by 21 Al Williamson was well-regarded enough as a Western and science- fiction illustrator to be recruited for the EC Comics staff roster - the absolute peak of the field in the 1950s, and a team rarely challenged since. After the Comics Code forced EC to reduce their business, Williamson found himself at the door of Atlas Comics, the largest employer of freelancers in the field. From 1955-60, Williamson would draw 99 stories for Atlas (both solo and with help by "Fleagle Gang" studio cohorts Angelo Torres and Roy Krenkel, plus Gray Morrow and Ralph Mayo) in mostly western and fantasy genres, with a smattering of war, romance and "jungle girl adventure". He flourished on Westerns, freely and loosely rendered four-page morality plays, many scripted economically by Stan Lee. With his extensive oeuvre subsequently based mostly in newspaper strips (including Flash Gordon, Secret Agent Corrigan, and the syndicated Star Wars, at George Lucas' own request), or working largely as an inker, his Atlas stories collectively are the largest single body of work Williamson would ever do as a primary creator for one company. Fantagraphics is proud to present this Al Williamson Artist Edition to finally showcase this distinct period of his remarkable career.

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The latest box set of our bestselling Crepax series is devoted to the artist's comics adaptations including Georges Bataille's Story of the Eye and the groundbreaking BDSM Story of O by Pauline Réage. Collecting more than 500 pages of the influential Italian cartoonist's most famous adaptations of the erotic literary canon in a beautiful slipcase box set. In Vol. 7, "Story of a Story" (1981) stars Milanese photographer Valentina. Finding herself home alone, she cheekily decides to fantasize about Georges Bataille's infamous novella Story of the Eye - with a twist: she's playing all the roles! In the stories "Emmanuelle" (1978) and "Emmanuelle: The Anti-Virgin" (1990), Crepax follows the titular heroine on her sensual journey as the polyamorous wife of a French diplomat in Thailand. While the character is best known as the star of a series of pornographic movies, most notably the 1974 film starring Sylvia Kristel, she originated in a banned 1959 novel by Marayat Rollet-Andriane (pen name Emmanuelle Arsan), a Thai French woman. Emmanuelle has a sexual encounter on a plane, plays a steamy game of squash with a countess, falls for a woman named Bee, and has an intense experience at a temple, among the many other transgressive exploits Crepax details from the novel. And, in an innovation of Crepax's own - she crosses paths with King Kong! Vol. 8 contains Crepax's longest graphic novel - "Story of O." A woman finds fulfillment when she subsumes her identity by sexually submitting to a secret society. Crepax sumptuously draws every strike of the whip and taps into the sensuality of body modification in his adaptation of this groundbreaking work. Also included is his short story "The Unexpected Exchange," filled with the sensual delights you have come to expect from Crepax: lingerie, bisexuality, the 1920s, and the most symbolically drawn train you've ever seen outside of a Hitchcock film. In addition to the usual accompanying essays putting Crepax's stories into historical and cultural context, this volume also features Nouveau Roman novelist Alain Robbe- Grillet's (The Voyeur, Last Year at Marienbad) introduction to Story of O.

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The complete three-part saga of French comics master Jacques Tardi's gripping and humane biographical portrait of his father's life as a soldier during WWII. When French tank crewman René Tardi was captured by the Germans on May 22, 1940, his life was forever changed. He is shipped off to a P.O.W. camp, Stalag IIB, where he endures a brutal day-to-day existence for nearly five years. Once the war winds down, he faces a long, grueling journey back to France, buoyed only by the vision of his wife Henriette awaiting him at home. The final act finds René struggling to adapt to civilian life, begrudgingly re-enlisting, and returning to Germany to help rebuild the country that imprisoned him. In The Complete I, René Tardi, P.O.W., cartoonist Jacques Tardi vividly renders his father's harrowing story, a story enriched with his own childhood memories. Both an homage to his father and a testament to the silent suffering of a generation of men scarred by war, Tardi's graphic novel trilogy is a personal and artistic triumph. This box set also features a slew of fascinating contextual features, including reference photographs, excerpts of René's notebooks, and several illuminating essays.

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The complete run of the groundbreaking young adult vampire series created by Moto Hagio, a shojo/shonen-ai manga pioneer and one of the world's most influential cartoonists. The Poe Clan: a race of undead that feeds on the energy of the living, whiling away the centuries in a village of roses where time and geography have no meaning. Circumstances lead to a brother and sister, Edgar and Marybelle, being initiated into the clan too young, and therefore doomed to live out eternity forever on the brink of adulthood until a wooden stake or a silver bullet should cut them down. The Poe Clan's narrative spans the mid-1700s to the 1970s: generations of humans' lives are profoundly affected by Edgar, Marybelle, and Alan Twilight, a 14-year-old whom Edgar embraces in the 1800s. In this groundbreaking manga, Moto Hagio explores what it means to live and die, to have loved and lost. Fantagraphics is proud to present the complete 1970s run of this best-selling manga series in English for the first time. Please note: This title is a traditional work of manga and reads back to front and right to left.

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A worldwide Disney comics retrospective featuring a collection of classic adventure stories from Carl Barks, Don Rosa, Floyd Gottfredson, and more - all in a slipcase hardcover edition! What creative whirlwind brings Mickey Mouse, Donald Duck, Lilo and Stitch, and the Evil Queen together? Disney comics have existed since the dawn of the studio. Now grown-up fans can explore the history of Mickey, Donald, Uncle Scrooge, and their supporting cast with a chronological collection - featuring the most beloved Disney funny- page talents from around the world! See Mickey outwitting counterfeiters in Floyd Gottfredson's 1934 "The Crazy Crime Wave''... and Uncle Scrooge founding his own nation in Don Rosa's 1989 "His Majesty, McDuck!" Plus more... hundreds of pages more, including stories of Donald's duckling-hood, Basil the Great Mouse Detective, and the Big Bad Wolf added just for this deluxe edition, all packaged in a splendid slipcase!

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The definitive collection of comics and illustration from 1892 to 1942 by James Swinnerton, one of the founding fathers of the American comic strip. James Swinnerton is one of the most creative, respected, and prolific comic artists from the first half of the 20th century. Yet to the disappointment of classic comics lovers, his work has seen little reproduction. Until now. This sumptuous volume covers Swinnerton's six-decade career in comics, from his beginnings as a sports/editorial cartoonist for William Randolph Hearst in San Francisco to his years in the America's Southwest desert, where his love for the land and its people came through in his comics and illustration. Swinnerton is an excellent storyteller offering a cinematic style with humor that is both slapstick and sophisticated. At the forefront is his long-running Little Jimmy comic strip. This namesake character began by mixing satire of New York society with stories of rural America. He then took the characters on the road to South America, Mexico, and then settling for many years in Swinnerton's beloved Southwest. Also included in this book are his early one-shots and series like the rakish Mr. Jack and the anthropomorphic Mt. Ararat, and his 1940s stylized comic of the modern West, Rocky Mason. Swinnerton was famous for more than just comics. He wrote and illustrated the charming feature "The Canyon Kiddies" and similar titles for weekly magazines. In his later years he became known as a premier painter of desert landscapes. All of these are featured in this book. Jimmy! includes an illustrated biography and essays by co-editor Michael Tisserand and Eddie Campbell. The comic strips in this volume are carefully restored to their original colors and printed at near-full size. Swinnerton lovers will be delighted by the richness and variety of the works seen here. Those new to this uniquely American artist will likely join the growing numbers who appreciate his important role in the history of the comics.

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The outrageous sci-fi parody comic series by Italian underground cartoonist Massimo Mattioli, collected in English for the very first time. On the heels of our collection of the cult classic Italian comic Squeak the Mouse, Fantagraphics is thrilled to present the outrageous comic strip series that started in the 1970s and which put the underground cartoonist Massimo Mattioli on the map. The anthropomorphic eagle Joe Galaxy is a swashbuckling space adventurer always on the make. Whether smuggling holo-videos of intergalactic porn, cheating at interstellar poker with bug-eyed monsters, or contending with the evil lizards of Calisto IV, our wisecracking hero finds himself embroiled in one absurd scenario after another. A dizzyingly boundless cartoon world chock full of parody, pop culture references, and oodles of over-the-top sex and violence, and drawn in a colorful and kinetic medley of styles, Joe Galaxy collects a nearly 25 year run of the strip and lays bare the twisted genius of its infamous creator. This luxe hardcover edition features every story in the Joe Galaxy universe, plus a bonus short penned by Mattioli in 2018, as well as a spirited intro by Coconino Press editor Oscar Glioti.

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Well, blow me down! This new four-volume series collects the complete run of the original Popeye Sunday newspaper page adventures in an accessible and affordable paperback format! Part slapstick, tongue-twisting comedy, part escapist, Depression-era fantasy, part tenderhearted yet tumultuous romance, Elsie Crisler Segar's newspaper comic strip captivated readers of the Roaring Twenties and beyond. And Popeye, the sailor man, was the unlikely start of the show. Fantagraphics is thrilled to bring Segar's whimsical world back into print, reviving the origins of the beloved spinach-eating American icon for a whole new readership. The E.C. Segar Popeye Sundays series collects the complete Popeye Sunday stories in four gorgeous full-color volumes, each packaged in a deluxe slipcase. Volume one highlights Popeye's riotous romance with his sweet patootie - Olive Oyl. As he courts Olive in comically clumsy fashion, she proves that her sharp wit runs rings around his muddled brain! Next, he becomes a prizefighter and must contend with a series of fearsome opponents, from Johnny Brawn to a literal gorilla. Once outside the ring, however, his ferocity turns to sweet sentiment, and he gives away all his winnings to poor widows, old folks, and orphanages. Featuring laughout- loud gags, sensational slugfests, and endearing cast of characters, this revival of classic Popeye adventures will captivate stalwart fans and new readers alike. E.C. Segar (1894-1938) was an American cartoonist known for creating Popeye, the star of his comic series Thimble Theatre.

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In the second volume of Fantagraphics' spectacularly packaged E.C. Segar Popeye Sundays, the incorrigible Wimpy takes center stage! An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. Fantagraphics is thrilled to bring Segar's whimsical world back into print, collecting the complete Popeye Sunday stories in four gorgeous full-color volumes, each packaged in a deluxe vertical slipcase. Volume one highlighted the mercurial relationship between Popeye and Olive Oyl, while volume two shifts the focus to an even more dynamic connection, between that of J. Wellington Wimpy and his one true object of desire: a delectable hamburger. A notorious chiseler without a penny to his name, Wimpy is forever scheming new ways to bamboozle the local diner out of a mouth-watering morsel of his favorite meal. And the audacious chicaneries Wimpy employs in pursuit of his greatest love are as riotous today as they were when these strips first appeared in the '30s. Featuring laugh-out-loud gags, sensational slugfests, and an endearing cast of characters, this Wimpy-centric volume of classic Popeye adventures emphatically answers the question: Where's the beef? Plus, an illustrated appreciation/deconstruction of this legendary comic character by acclaimed cartoonist Kevin Huizenga! E.C. Segar (1894-1938) was an American cartoonist known for creating Popeye, the star of his comic series Thimble Theatre. Kevin Huizenga is a cartoonist living in Chicago. He has won awards for various comics and graphic novels starring his signature everyman, Glenn Ganges. His latest book is The River at Night.

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In the third volume of the E.C. Segar Popeye Sundays, Popeye and company embark on a gothic adventure on the high seas! Volume three centers around the epic Popeye adventure, "Plunder Island," in which our endearing cast of characters takes to the high seas in search of buried treasure - but must contend with the ruthless Sea Hag and her strange sidekick, Alice the Goon. Steeped in shadow and gothic imagery, this tale is an atmospheric and suspenseful departure from the typical Popeye aesthetic - with a little screwball comedy thrown in for good measure. Also in this volume, Popeye proves to be a one-man wrecking crew on the gridiron, Wimpy tries his unsteady hand at duck shooting (uh-oh!), and the crew ride out to the Wild West town of Slither Creek on a rip-roaring gold-hunting expedition. Plus, contemporary Filipino cartoonist Bong Redila pens a lighthearted comic homage to the iconic, eerie duo headlining this volume. An irresistible alchemy of slapstick humor, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. Fantagraphics is thrilled to bring Segar's whimsical world back into print, collecting the complete Popeye Sunday stories in four gorgeous full-color volumes, each packaged in a die cut slipcase. E.C. Segar (1894-1938) was an American cartoonist known for creating Popeye, the star of his comic series Thimble Theatre. Bong Redila is a Filipino American illustrator and author based in Miami, Florida. His previous book with Fantagraphics was Meläg: Town of Fables (2022).

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In the fourth and final volume of the E.C. Segar Popeye Sundays, meet the most whimsical character of the Popeye universe! This dynamic concluding volume introduces a curious creature from the fourth dimension - Eugene the Jeep! The minute this mysterious marvel with the power of teleportation arrives on the scene, the strip is infused with an oddball, otherworldly quality. Elsewhere, Wimpy continues his befuddling antics; the wily orphan Swee'Pea and the patriarch Poopdeck Pappy cause domestic hijinks; and Popeye does battle with the big bad Man from Mars! Plus, contemporary artist Kayla E. pens a comic homage to the topsy-turvy character headlining this volume. An irresistible alchemy of screwball comedy, tender romance, and rags-to-riches fantasy, Elsie Crisler Segar's newspaper comic strip, starring Popeye the sailor man, captivated readers of the Roaring Twenties and beyond. Fantagraphics is thrilled to bring Segar's whimsical world back into print, collecting the complete Popeye Sunday stories in four gorgeous full-color volumes, each packaged in a die-cut vertical slipcase.

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A cyberpunk, outlaw, splatterpunk masterpiece from the New York Times bestselling creator of Hip Hop Family Tree and X-Men: Grand Design! Aided by the anonymous dark web and nearly untraceable cryptocurrency, a criminal subculture has emerged. It livestreams murders as entertainment. Who are the killers? Who are the victims? Who is paying to watch? How to stop it? Red Room is constructed as a series of interconnected stories, shining a light on the characters who exist in the ugliest of corners in cyberspace. Piskor cuts the graphic horror with his sharp sense of humor, gorgeous cartooning, and dynamic storytelling. Red Room peels back the curtain on the side of humanity few of us knew existed, let alone understood. Fans and followers of Piskor's YouTube channel sensation, Cartoonist Kayfabe, have already made Red Room: The Antisocial Network one of the most eagerly anticipated and talked-about releases of 2021. It is the first in a series of graphic novels, with the second scheduled for release in Summer 2022.

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An outrageously cruel cat versus a wily mouse: a rivalry as old as time, popularized by the beloved Tom and Jerry cartoons of the '40s and '50s. In the hands of renowned Italian cartoonist Massimo Mattioli, however, this classic premise is infused with a whole new perverse and anarchic energy. Laying full-on slasher horror onto wacky cartoon violence, Mattioli's characters embark on a sadistic bloodthirsty rampage, leaving a trail of mangled corpses and pools of blood in their wake. And the comic's gratuitous bloodshed is not to be overshadowed by its crude humor and over-the-top sexcapades. In sum, a tour de force of unrelenting transgression, rendered in clean line art and dazzling pastel colors. Conceived in the early '80s, Squeak the Mouse was originally serialized in the Italian underground comics magazine Frigidaire to much acclaim. This silent comic series gained notoriety in the US when customs agents seized a shipment of Mattioli's books; deemed pornographic, the work was subsequently made the subject of an obscenity trial (which was won by the publisher). Best known today as the precursor to the Itchy and Scratchy characters in The Simpsons, this cult classic comic series is finally coming back into print in a gorgeous and affordable hardcover.

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This gorgeous art book celebrates the work and legacy of Barbara Shermund, one of the first female cartoonists for humor and lifestyle magazines in the United States, including The New Yorker and Esquire. Tell Me a Story Where the Bad Girl Wins doubles as an official biography and coffee table art collection honoring the life and art of pioneering cartoonist Barbara Shermund, an unheralded early master of magazine cartooning whose career spanned the heyday of American magazines from the 1920s-1960s. Her sharp wit and loose style boldly tapped the zeitgeist of first-wave feminism with vivid characters that were alive and astute. Shermund's women spoke their minds about sex, marriage, and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so. Shermund left behind a body of work that was ahead of its time and remains insightful, witty, relevant, and contemporary. As one of the first women cartoonists to work for The New Yorker the year of its launch in 1925, she created nine covers and more than 600 cartoons for the magazine, in addition to countless spot illustrations, giving the nascent publication its unique visual brand. Shermund later became a mainstay at Esquire; contributed to Life, Colliers, Judge, and more; had a syndicated newspaper cartoon published by King Features; and illustrated a variety of books. In 1950, Shermund was among the first three women to be accepted as a member of the male-dominated National Cartoonist Society. A compelling facet of Shermund's work is her frequent nods to queer audiences, which appeared in her work more than that of any of her contemporary New Yorker cartoonists. There are indications in her personal files that she also may have been queer, including love letters and other personal archives that McGurk has unearthed. Readers will discover Shermund's unique and vibrant life and art and gain an understanding of how women's place in the history of cartooning has been controlled and sublimated by greater societal and cultural allowances. Through close readings, archival research, reproductions of original art, correspondence and photographs, this volume uncovers and celebrates a trailblazing female magazine cartoonist, and rightfully places her in the canon of cartoon art history.

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The first book in Fantagraphics' new Atlas Artist Edition series collects the best work of Marvel's top artist of the 1950s in a lush, lavish, full-color, oversize collector's volume, scanned directly from the original printings and meticulously restored and presented in a wealth of detail never seen before. Joe Maneely was known for his draftsmanship, his versatility, and his speed. He could draw horror, science fiction, war, crime, Madstyle humor, Westerns, and funny animals with equal dexterity. His tactile, chiaroscuro graphic approach to storytelling has made him a legend among the comics cognoscenti, but because he never drew superheroes and his life ended tragically at age 32, he has never been given the attention his short but incandescent career deserves. Until now. As Geoffrey C. Ward wrote in American Heritage, "Maneely's knowledge of 19th century artifacts was encyclopedic, his rumpled, unshaven cowboys all wore the right hats, swung the right lariats, sat in the right saddles, fired the right model Colts - with every screwhead and trigger guard and notched handle precisely rendered." And that's only his Westerns. That tightly focused attention to detail pervades his work in every genre. The Atlas Artist Edition Vol. 1: Joe Maneely, presents a cornucopia of Maneely's work for Marvel (then called Atlas) including Westerns (Kid Colt, Black Rider, Ringo Kid, Wyatt Earp, Two-Gun Kid), pre-Code horror ("Haunted!", "The Raving Maniac", and the classic "Your Name Is Frankenstein"), space opera (Speed Carter), war (Combat Kelly), Mad-style parodies from the pages of Crazy and Riot, cold-war intrigue and paranoia (Yellow Claw), and Maneely's pride and joy - his Arthurian champion, The Black Knight. Series editor Dr. Michael J. Vassallo provides expert contextual and historical commentary in a special essay for this volume. Dr. Michael J. Vassallo is the pre-eminent expert on the Timely/Atlas period of Marvel's history. He co-wrote The Secret History of Marvel Comics (Fantagraphics Books, 2013) and edited Atlas at War (2020) and Timely Confidential: When the Golden Age of Comic Books Was Young (2017). He has written extensively for the Marvel Masterworks series and maintains his own Timely/Atlas Comics blog. He lives in New York.

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Icebergs at sea, Gyro's teleporter, captured by cavemen - and the Junior Woodchucks fight to defend the environment! In this collection of world-famous Disney comics stories, Donald Duck decides to enlist Gladstone Gander and his unfailing good luck to prove a fortune cookie wrong when it warns, "You can't do anything right today." (Good luck with that!) Next, it's off to the roaring North Seas, on one of Uncle Scrooge's schooners, where Donald and the boys compete to bring in the most fish. But they're falling behind - until Donald unlocks Scrooge's "Secret Device." Then Donald gets into trouble when Gyro invents a matter transmitter that only half works. And Donald and the boys, while on a trip to the Grand Canyon (to expose a fraud), get captured by cavemen! Plus: Daisy Duck strikes a blow for women's equality when she and her nieces climb Precipice Peak - a feat that no man has ever dared! Also in this volume - Carl Barks's stories of the Junior Woodchucks starring Huey, Dewey, and Louie, written and penciled by Barks with finishes by internationally acclaimed Duck artist Daan Jippes! This season's Carl Barks Library slipcased gift box set collects two volumes in this popular series: Walt Disney's Donald Duck: "Christmas in Duckburg" (An impossible Christmas wish and a nail-biting race to a South Seas island!) and Walt Disney's Donald Duck: "Under the Polar Ice" (Lost in the arctic, flying sleds, and peril in the jungle!). 400 pages in two volumes snugged into a sturdy slipcase at a special price that even Uncle Scrooge couldn't resist! Carl Barks (1901-2000), one of the most brilliant cartoonists of the 20th century, entertained millions around the world with his timeless tales of Donald Duck and Uncle Scrooge.

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Kidnapped, Donald escapes, only to wander hopelessly in the far frozen north! Next, he invents a rocket fuel powerful enough to send him to the moon! Sick of the snow, Donald trades his house for an airplane so he and the boys can winter in the tropics. But fate intervenes, and they find themselves flying a crucial supply of penicillin to the stricken community of Point Marrow, Alaska. Meanwhile, some shady characters decide to use Donald's rescue mission as cover to steal an old-timer's secret gold stash - kidnapping Donald along the way! Escaping from their clutches, a freezing Donald, lost in the vast empty wastes of the far, far north encounters an angry polar bear who chases him off a cliff - and then things really start to go wrong! Next, Donald suffers a bonk on the head that turns him into a scientific genius. His first invention: duckmite, an explosive so powerful that he uses it to propel a rocket to the moon. Then, Donald accidentally gives the boys a rare dime worth $500. But how to get it back? As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. Eighteen stories in all in more than 200 pages of story and art, each meticulously restored and newly colored. Plus, insightful story notes by an international panel of Barks experts.

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Donald becomes a maharajah, a giant sea serpent attacks, and Donald invents an atom bomb! Through a series of trade-ups, the nephews turn Donald's old pencil stub into - a steamship ticket to India! Off they go, and Donald is soon declared to be "Maharajah Donald" - but there's a catch! Then, Donald accidentally buys a houseboat at an auction that leads to an encounter with a giant sea serpent! Next, "Santa's Stormy Visit," a Christmas story with none of the trimmings - no man in a red suit, no snow (but a tropical hurricane!), no presents under the tree (no tree!) But still a charming holiday tale. And don't miss "Donald Duck's Atom Bomb!" As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. 193 pages of story and art, each meticulously restored and newly colored. Insightful story notes by an international panel of Barks experts.

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, Carl Barks The secret of Ali Baba's hidden treasure, the return of Magica de Spell - and a rare story never before seen in the U.S.! "You can't depend on anything in Persia being what it seems!" warns Uncle Scrooge. But when he, Donald, and the nephews are approached by a wayward archaeologist bearing fragile clay tablets that point the way to Ali Baba's lost cave, the hunt is on for the most fabulous treasure of the ancient world! And Scrooge will soon discover how true his words really are! Then, Scrooge shields his Money Bin in an indestructible glass that defies the efforts of Magica de Spell and the Beagle Boys to crack it. What could possibly go wrong? Plus: the oddball inventions of the ever-eccentric Gyro Gearloose! Additionally, we're proud to present a rare story started by Carl Barks and completed by internationally acclaimed Duck artist Daan Jippes, never before published in the U.S. - "The Pied Piper of Duckburg." Carl Barks delivers another wildly imaginative collection of outrageous adventures, laugh-out-loud comedy, and all-around comic book brilliance. Each page is meticulously restored and newly colored, with insightful story notes by an international panel of Barks experts. Carl Barks (1901-2000) entertained millions around the world with his timeless tales of Donald Duck and Uncle Scrooge. One of the most brilliant cartoonists of the 20th century, he is a Disney Legend and has been inducted into the William Randolph Hearst Cartoon Hall of Fame and the Will Eisner Comic Book Hall of Fame. Daan Jippes (b. 1945), an internationally beloved Duck artist, lives in the Netherlands. "

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Collecting over 30 rare works of short fiction tinged with horror and eroticism by one of comics' most distinct voices, spanning over 20,000 years from the Stone Age to the apocalypse. Julia Gfrörer is quietly one of the most influential cartoonists of her generation. Emerging from the Portland scene at the height of the Obama era, her comics augured the dark times to come, using graphic sex, pitch-black horror, a hunger for exploring the past, and a line cruel as a whip to create her own unmistakable sense of millennial melancholy. Reflecting her DIY ethos, much of her work has only been available in self-published zines or independent anthologies, many of them rare or out-of-print - until now. World Within the World features 30 of Gfrörer's short stories, culled from a decade of writing and drawing at the bleeding edge of the art form. Her tales of desire, despair, and the universal need for connection span centuries, continents, and cultures from prehistoric teenagers in love to Christian martyrs in the making to modern-day vampires on the make. Along the way her bold, confident work leads the reader to some unexpected places, whether erotica inspired by the works of Edgar Allan Poe or a post-apocalyptic parody of Frasier. In World Within the World, there is no distinction between the realistic and the fantastic, the psychological and the supernatural, the modern and the medieval, the mundane and the sublime - just the artist's unflinching vision of how it feels to be human, no matter when or where.