Hermes Press

Creative Team

Description

What made many of the great adventure comics of the 1960s so attractive were their fantastic painted covers by artist George Wilson. Wilson also turned in hundreds of painted covers for paperback books that range from The Phantom and Flash Gordon to romance, adventure and war titles, all illustrated in the extensive survey of his work. Unlike the majority of comic book covers of the era, Wilson's covers harkened back to the era of pulp magazines and were spectacularly eye-catching. He turned in efforts for literally hundreds of comics titles - this important monograph on the artist provides examples of every genre he worked in. Presented are cover paintings scanned from the original artwork from Classics Illustrated, The Twilight Zone, Ripley's Believe It or Not, Doctor Solar, Magnus Robot Fighter, Turok, Son of Stone, Star Trek, Korak, Son of Tarzan, Mighty Samson, Brothers of the Spear, Boris Karloff Tales of Mystery, Space Family Robinson, Dark Shadows, and The Occult Files of Doctor Spektre to name but a few. This new art book focuses on over 200 examples of his cover art accompanied by an introduction by famed artist Joe Jusko, an exhaustive essay by Anthony Taylor and the only interview Wilson ever gave. This is the ultimate, definitive art book about one of the most important cover artists of the Silver and Bronze ages.

Creative Team

Description

Before Fredric Wertham and The Seduction of the Innocent (SOTI), before before the infamous Comics Code, the comic book racks at local drug stores and newsstands boasted a plethora of delights highlighted by the good girl adventures of the comic book version of Brenda Starr. These four-color wonders displayed all the finer things loved by comic book buyers: good girls, bondage, a little torture, and other delectable things. Now, comics fans can read and own these rare comics from another era, digitally restored to perfection and presented in an archival hardcover.

Creative Team

Description

Cartoonist Gladys Parker was unique in comics. Parker mixed fashion and comics and created classic characters that mimicked her sense of fashion. In fact, Parker was an exact double for her ink-and-paper creation, Mopsy . Only Gladys Parker was a fashion designer with a successful line of clothing while at the same time drawing an equally successful comic strip. Parker's dresses bearing the Gladys Parker label were sold at her own New York shop and at high-end department stores across the country. Who better to chronicle the story of Gladys Parker than comics herstorian Trina Robbins, who in the 1960s designed clothes for hippies and rock stars out of her East Village boutique, while drawing underground comix?